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Family trip to Poland makes
for moving documentary
by Dan Pine
staff writer
Jewish News Weekly
August 26, 2005
PBS' "Hiding and Seeking"
Menachem Daum loves his
sons, but when he saw them giving a wink to hatred,
he decided to do something about it.
His sons, both Chassidic yeshiva
bochers with kids of their own, had grown isolated,
deeply mistrusting the non-Jewish world at large and
preferring the fervently religious world of Jerusalem.
How Daum, a big-hearted Brooklynite,
wrested his boys from that insular frame of mind makes
for riveting viewing in "Hiding and Seeking," a new
P.O.V. documentary set to air on KQED and other local
PBS stations Tuesday, Aug. 30.
Known for his previous PBS documentary
"A Life Apart: Hasidism in America," Daum has as deep
an understanding of Orthodox Judaism as anyone. He grew
up in that world and remains a fervently religious man.
But he also became a devotee of
the late Rabbi Shlomo Carlebach and his ecstatic brand
of universalism. Seeing all human beings as created
in the image of God, Daum felt keenly his sons' contempt
for all things non-Jewish.
"Hiding and Seeking" is about
a journey Daum undertakes with his sons, Tzvi Dovid
and Akiva, and his wife, Rifka. The family travels to
Poland to find the village and - if they're lucky -
the Polish Catholic family that hid Daum's father during
the Nazi occupation. Daum's hunch: Maybe if his boys
can see decency in Poles, "they can see holiness in
all people."
Daum is a clever filmmaker, setting
up that journey with scenes of intense but loving debate
among the family members. He plays a tape recording
of a sermon by a fervently religious rabbi who urges
Jews to teach hatred of the "goyim," a sentiment his
sons basically shrug off.
We meet Daum's aged father and
father-in-law, both of whom urge the family not to make
the trip. "Tell them I'm dead," says the old man to
his son.
But Daum cannot be dissuaded and
off they go to the country where the flower of European
Jewry was wiped out 60 years ago.
The film includes some gently
comic scenes, like when Daum places a little note of
prayer into the rubble of a former synagogue, much to
the bemusement of his sons.
But things take a dramatic turn
when, as they near the village where Daum's father and
uncles hid under a bale of hay for months, the family
picks up the trail of the couple who risked their own
lives.
Turns out Woitek and Honorata
Muchas were still alive. Though bent over with age,
Honorata remains sharp as a tack and recalls every detail
of her heroic act. The reunion is a bit strained, but
the tears flow when Rifka and her sons recite a prayer
of thanksgiving. The Muchas only regret: that the lads
they saved never contacted them again to say they had
made it to safety.
Daum's mission was to correct
that, and thankfully he shared that mission with the
world.
The film concludes with a moving
ceremony at which Israel's ambassador to Poland, himself
a former Polish Jewish refugee, presents Israel's Righteous
Gentile award to the Muchas. The whole village turns
out to witness the ceremony, itself an astonishing moment
given the sorry history of Polish anti-Semitism.
While undeniably uplifting, "Hiding
and Seeking" is no Panglossian whitewash. We see scenes
of young Poles looking askance at the kippah-wearing
Jews. One can almost feel an incipient suspicion and
loathing bubbling under the surface.
But Daum prefers to err on the
side of love and generosity.
"Hiding and Seeking" is an enormously
powerful film that will resonate with Jewish viewers
(the liberal use of Yiddish as the lingua franca among
the Daum clan is a delight). But this is a story bigger
than the sum of its mostly Jewish parts.
Early in the film, we see Shlomo
Carlebach in concert, performing for a mostly Catholic
Polish audience in Warsaw. The rabbi chants the words
"we are all God's children" while Poles, perhaps the
sons and daughters of former Jew haters, wipe tears
from their eyes. It's a catalytic moment, but only first
of many in this must-see documentary.
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