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TRAGIC STONES
Temple Beth Sholom's new Warsaw
Ghetto memorial is a haunting reminder of man's dark
history
By Scott Dickensheets
LAS VEGAA WEEKLY
January 25, 2004
Before the awe, the irony. Yes,
a quiet memorial to human dignity, devoted to a 60-year-old
event in Central Europe, seems ... ah ... somewhat out
of place in Las Vegas-which is not quiet, not usually
about human dignity, not inclined to dwell on tragedy
and certainly not given to remembering history, its
own or anyone else's.
And yet here it is. The new Warsaw
Ghetto Remembrance Garden at Temple Beth Sholom is not,
in fact, a garden in the leafy, green sense of the word.
Made of stone and concrete, it's really an interaction
of history, memory, metaphor, the senses, architecture
and sky. It commemorates a moment in 1943 when a relative
handful of Polish Jews fought back against the Nazis,
holding soldiers and tanks at bay for days. The siege
ended in May.
A circular, open-air enclosure
rimmed along the top with metal beams, it's lined inside
with cobblestones from Chlodna Street, part of the Warsaw
Ghetto. (Robert Mirisch, the temple's executive director,
says it's the largest display of such stones in the
country.) The stately rows of mute stones are interrupted
at intervals by waterfalls and torches, and water lines
the foot of the wall. In the center rises a pedestal
bearing a map of the ghetto. It was designed by architects
Brad Friedmutter and Chuck Jones of the Friedmutter
Group.
You'd think the awe would be simpler
than the irony, but if you're a reasonably thoughtful
person, entering the garden is a complex emotional transaction.
It's impossible not to cart in the black weight of everything
we know about the Holocaust. So history itself cues
a distinct set of emotional responses, commands you
to be humbled and awestruck before you set foot inside.
But you already knew that, thanks
to the sheer volume of received Holocaust memory. Between
books, movies and TV documentaries, we've learned so
much that it flattens our expectations of this space:
I know what I'm going to encounter. At the same time,
a citizen of this marketing age, you're wary of being
told what to feel. So your guard is up, a little.
You enter.
The 250 stones break you down
right away. A few have been inset into the ground, but
most have been mounted in rows, arrayed like honored
guests. To look intently at a single one is to wonder
about the power contained in one pixel of history: "Who
might have died while walking on these stones?" Mirisch
wonders. It's a warm Friday morning and workers are
putting the finishing touches on the place. This is
the first time Mirisch has been in here since the construction
clutter was taken away. He's visibly moved, his eyes
welling, his voice going soft. "Who might have bled
on these stones-every kind of person who just wanted
a little dignity in their lives. The stones were witnesses
to all this."
Music plays softly. Water burbles.
The claustrophobic interior is meant to tighten around
you with the inevitableness of the Nazis closing in
on the rebellious Jews. Sitting at a bench, Mirisch
instinctively glances up, past the beamwork that calls
to mind the skeletal frames of wrecked buildings. "The
sky offers an exit from the enclosure of the walls,"
he says. "I get a sense of somberness, but then I look
up at the blue sky of Las Vegas, the clouds ..." His
voice trails off. Awe has done its work.
The project was spearheaded by
the temple's men's club, which raised $300,000 to purchase
the stones from the National Holocaust Museum in Washington,
D.C., and underwrite construction costs. (The museum
inexplicably sent hundreds of extras, as well.)
Temple Beth plans to establish
public tours of the facility, complete with docents.
"I hope it will become something on the Las Vegas cultural
scene," Mirisch says. "It's an important addition to
the spiritual condition of Las Vegas."
The Warsaw Ghetto Remembrance
Garden will be publicly dedicated at 11 a.m. May 18
at Temple Beth Sholom, Town Center Parkway and Havenwood
Drive. Call 804-1333 for information.
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